一、④段整套同步(用户选候选 A)
- 新增 `references/stage-proto-doc/assets/产品文档模板.html`(16 KB/247 行,从备份拷、转 LF)。
- ④段 SKILL.md 换成备份 15:28 那版,并按模板口径改齐:
· 「产品文档框架」从「四块+一附录」改成**六节** —— 页面结构/功能清单/使用场景/操作流程/
跨页与界面状态/待确认与偏离;与模板同构,⛔ 不从空白页重写结构。
· 编号从 R/S/F 改成 **P 页面/S 场景/F 功能/J 二级功能**,各自唯一、按展示顺序通排。
· 保留旧版有价值的要求:每项功能补齐 做什么/入口在哪/输入边界/异常与恢复;重点功能三处标红;
横向流程图每步写清页面/功能/操作/完成判据。
· 完成标准「七节」→「六节」,自查清单同步换掉「需求」那批条目,补模板与配图两条。
· 路径 `designs/<项目>/` → `docs/pm/<项目>/ui/`(2 处)。
· 补回本机那条「每份产出文档开头都要有一张图」的引用(指向主 skill,段内不复述)。
- 主 skill 同步:四段结构表④行、④段沿革、画图小节(④段画页面结构图 + 用户路径)。
二、open-design 移到技能根(用户选候选 A)
- `git mv product-planning/references/stage-delivery/assets/open-design → open-design/`(4178 文件)。
- `.gitignore` 白名单加 `!/open-design/` —— 否则移出去就不再纳入版本控制。
- 引用改 11 处:路径形态 `assets/open-design/...` → `<技能根>/open-design/...`;
「随段携带的自带件」改称「同根技能」;「路径怎么找」那条改成自带件(段内相对路径)与
同根技能(`<技能根>/<技能名>/`)两类分开写。
- open-design 自己的 ATTRIBUTION.md 两处同步(它现在与 oil-ui-pro 同层)。
- 副作用(有益):命名闸门读数由 2063 降到 225 —— 此前它把 open-design 里 919 个第三方 md
当成规则一起扫了;现在只扫本包 23 个 md。已确认④段的 H1 与 4a/4b/4c 子步仍在检查范围内。
三、验收
- check_naming.py --ws E:/ProgramData/AIProject/contentm_agent = 通过 225 / 失败 0 / 提示 27。
- 活文件里 `assets/open-design` 残留 0;工作区 CRLF 文件 0。
273 lines
15 KiB
CSS
273 lines
15 KiB
CSS
/* ─────────────────────────────────────────────────────────────────────────
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* design-systems/kami/tokens.css
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*
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* Structured token bindings for "kami / 紙 / 纸" — a print-first
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* editorial system: warm parchment canvas, single ink-blue accent,
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* serif at one weight (500), no italic, no cool grays.
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*
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* This file pre-compiles the values described in `DESIGN.md` into
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* the schema shared with all OD design systems. Two paste paths:
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*
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* 1. Agents generating an artifact for kami should paste the
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* :root block verbatim into the first <style> of the artifact,
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* then reference everything via var(--*).
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* 2. The optional `:root[lang="zh-CN"]` and `:root[lang="ja"]`
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* blocks below override --font-display / --font-body for
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* Chinese and Japanese typesetting. Include them only when
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* the artifact's <html lang="..."> matches; otherwise drop
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* to keep the paste minimal.
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*
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* Schema notes (kami pushed the schema in five places — see comments
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* inline tagged "#Gap N" for the matching item in the design log):
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* #Gap 1 — 4-level foreground ramp (--fg / --fg-2 / --muted / --meta)
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* #Gap 2 — 3-level surface (--bg / --surface / --surface-warm)
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* #Gap 3 — 2-level border (--border / --border-soft)
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* #Gap 4 — accent-hover binds to value, not formula
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* #Gap 5 — ring elevation as a first-class level (--elev-ring)
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*
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* Brand-specific extensions (NOT part of the shared schema, only in
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* kami because of print-fidelity needs — see DESIGN.md §2 "Tag tints"):
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* --tag-bg-soft / --tag-bg-base / --tag-bg-strong — solid-hex
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* pre-blends of ink-blue over parchment, replacing rgba/color-mix
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* tints because print renderers double-paint alpha fills.
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* ─────────────────────────────────────────────────────────────────── */
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:root {
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/* ─── Surface (3 levels — #Gap 2) ────────────────────────────────
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* Warm parchment canvas; cards lift one half-shade brighter to
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* ivory; secondary interactive surfaces drop to warm-sand. Never
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* #ffffff anywhere — the cream tone *is* kami's identity.
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* `--surface-warm` is new in the shared schema; brands without a
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* tertiary surface tier should alias it to var(--surface). */
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--bg: #f5f4ed; /* parchment — page background */
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--surface: #faf9f5; /* ivory — cards, lifted containers */
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--surface-warm: #e8e6dc; /* warm sand — default button bg, secondary surfaces */
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/* ─── Foreground ramp (4 levels — #Gap 1) ───────────────────────
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* kami's text uses four named levels — primary / secondary /
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* subtext / metadata. Cool blue-grays are forbidden everywhere;
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* each token below has the warm yellow-brown undertone (R ≈ G > B)
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* the brand requires.
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*
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* `--fg-2` and `--meta` are new in the shared schema; brands that
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* only differentiate two levels should alias these to var(--fg)
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* and var(--muted). */
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--fg: #141413; /* near-black — primary text, slight olive warmth */
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--fg-2: #3d3d3a; /* dark warm — secondary text, table headers */
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--muted: #504e49; /* olive — subtext, captions */
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--meta: #6b6a64; /* stone — tertiary, dates, metadata */
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/* ─── Border (2 levels — #Gap 3) ────────────────────────────────
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* Primary border for card edges and section dividers; soft border
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* for inner row separators that should not visually compete.
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* `--border-soft` is new in the shared schema; brands with one
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* border tier should alias it to var(--border). */
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--border: #e8e6dc;
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--border-soft: #e5e3d8;
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/* ─── Accent ─────────────────────────────────────────────────────
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* The single chromatic move. CTAs, section numbers, link text,
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* the left rule of a quote, the W500 weight in a metric. Hard
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* cap of ≤5% of any surface area (DESIGN.md §2). */
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--accent: #1b365d; /* ink blue */
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--accent-on: #faf9f5; /* ivory — fg when accent is the bg (NOT pure white) */
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--accent-light: #2d5a8a; /* brighter variant — links on dark surfaces only */
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/* ─── Accent states (#Gap 4) ────────────────────────────────────
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* kami treats --accent-hover and --accent-active as VALUE
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* bindings, not formula derivations. Ink blue is already deep;
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* mixing further black makes hover invisible. The brand instead
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* expresses hover through elevation (whisper shadow) and keeps
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* the color identical. Active darkens slightly via a hand-picked
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* value, not a formula.
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*
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* Schema rule: every brand provides --accent-hover and
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* --accent-active. Default's brand uses a black-mix formula;
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* kami uses identity / hand-picked. Both satisfy the contract. */
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--accent-hover: var(--accent); /* color-stable; hover via elevation */
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--accent-active: #142a48; /* hand-picked, ~12% darker ink */
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/* ─── Semantic ───────────────────────────────────────────────────
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* kami's DESIGN.md doesn't specify success/warn/danger because the
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* system is print-first and rarely renders status. We bind them to
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* desaturated warm hues that survive parchment without breaking
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* the "single chromatic move" rule. Use sparingly; kami artifacts
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* almost never need these. */
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--success: #4a6b3a; /* warm forest — toned down for parchment */
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--warn: #8a6b1f; /* burnt sienna */
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--danger: #8a3a30; /* warm terracotta — never tailwind red */
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/* ─── Typography ─────────────────────────────────────────────────
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* Default to English Charter stack on :root. The `:root[lang]`
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* blocks below override for CN and JA. `--font-body` and
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* `--font-display` are equal — kami uses a single serif weight
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* (500) and lets size carry hierarchy.
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*
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* Sans is reserved for eyebrows, switchers, small labels — it
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* literally equals the serif stack, so there is no separate
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* sans token. */
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--font-display:
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Charter, Georgia, Palatino, "Times New Roman", serif;
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--font-body:
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Charter, Georgia, Palatino, "Times New Roman", serif;
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--font-mono:
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"JetBrains Mono", "SF Mono", "Fira Code", Consolas, Monaco,
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"TsangerJinKai02", "Source Han Serif SC", monospace;
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/* Type scale (px) — derived from DESIGN.md §3 hierarchy table.
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* kami runs lighter on the small end and heavier on the display
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* end than default's 12–64 — print rhythm needs both 11px captions
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* and 96px hero display.
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*
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* `--text-md` (15px) is a brand-specific extension — kami needs an
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* in-between size for ledes that the schema's --text-base (body)
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* and --text-lg (H3) ramp doesn't supply. Generic cross-brand
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* components must NOT reference --text-md; only kami's own
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* components.html consumes it. Promote to schema if a second
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* brand reports the same need. */
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--text-xs: 11px;
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--text-sm: 12px;
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--text-base: 14px; /* body — print-dense */
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--text-md: 15px; /* brand-specific — lede / large body */
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--text-lg: 17px; /* H3 */
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--text-xl: 22px; /* H2 */
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--text-2xl: 32px; /* section title */
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--text-3xl: 48px; /* CJK display ceiling */
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--text-4xl: 96px; /* EN hero / cover slide title */
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/* kami's line-height envelope is 1.10–1.55, narrower than default's */
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--leading-display: 1.1; /* hero, H1, H2 */
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--leading-tight: 1.25; /* section title */
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--leading-body: 1.55; /* reading body */
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--leading-dense: 1.4; /* resume / one-pager */
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/* Letter-spacing rules from DESIGN.md §3. EN body is 0; CN/JA
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* override below. Display tracking is negative (compresses
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* 96px hero); eyebrow tracking is positive (uppercase labels). */
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--tracking-display: -1.2px; /* applied to 96px hero only */
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--tracking-eyebrow: 1.2px; /* uppercase eyebrow / overline */
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--tracking-label: 0.4px; /* small uppercase labels */
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/* ─── Spacing ────────────────────────────────────────────────────
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* kami is print-rooted; section gaps and card paddings come from
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* the layout grid in DESIGN.md §5, not the 4px web-grid that
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* default uses. We keep the same token names but rebind values
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* to kami's actual rhythm. */
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--space-1: 4px;
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--space-2: 8px;
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--space-3: 12px;
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--space-4: 16px;
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--space-5: 20px;
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--space-6: 24px;
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--space-7: 28px; /* card interior */
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--space-8: 32px;
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--space-12: 48px;
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--space-18: 72px; /* section gap (web) */
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--space-22: 88px; /* page top padding (web) */
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/* Web page geometry (DESIGN.md §5) */
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--section-y-desktop: 72px;
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--section-y-tablet: 48px;
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--section-y-phone: 32px;
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/* ─── Radius ─────────────────────────────────────────────────────
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* `2px → 4px → 6px → 8px → 12px → 16px` per DESIGN.md §6. Tags
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* sit at 2–4px; buttons and cards at 8px; featured at 12–16px. */
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--radius-xs: 2px; /* tags */
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--radius-sm: 4px; /* small chips */
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--radius-md: 8px; /* default — buttons, cards */
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--radius-lg: 12px; /* featured cards */
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--radius-xl: 16px; /* hero containers */
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--radius-pill: 9999px; /* avatars (rare) */
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/* ─── Elevation (3 levels — #Gap 5) ─────────────────────────────
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* kami forbids hard drop shadows. Three sanctioned levels:
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* flat / ring (1px hairline OR 1px brand ring) / whisper. The
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* shared schema gains `--elev-ring` so brands using ring shadows
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* as primary elevation (kami, paper, editorial) don't have to
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* rebind --elev-raised away from blur shadow.
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*
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* `--elev-ring-accent` is brand-specific — kami uses it as the
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* edge for primary buttons (`box-shadow: var(--elev-ring-accent)`
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* instead of border, to keep the rectangle perfectly aligned
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* with the fill). */
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--elev-flat: none;
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--elev-ring: 0 0 0 1px var(--border);
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--elev-ring-accent: 0 0 0 1px var(--accent); /* brand-specific */
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--elev-raised: 0 4px 24px rgba(0, 0, 0, 0.05); /* whisper */
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/* ─── Focus ring ─────────────────────────────────────────────────
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* kami's focus is more restrained than default's — the brand
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* forbids cool-blue glows. We use a smaller ring with the active
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* variant of accent. */
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--focus-ring: 0 0 0 2px var(--accent-active);
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/* ─── Motion ─────────────────────────────────────────────────────
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* kami's hover is a 200ms whisper-shadow lift only — no transform,
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* no brightness shift. Two durations, one easing. */
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--motion-fast: 150ms;
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--motion-base: 200ms;
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--ease-standard: cubic-bezier(0.2, 0, 0, 1);
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/* ─── Layout ─────────────────────────────────────────────────────
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* Web container: 1120px max, 64px gutter desktop. Print pages
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* have margin tokens specific to document type (resume / one-pager
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* / long-doc / letter / portfolio) — those live in the print
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* skill, not in this shared token block. */
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--container-max: 1120px;
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--container-gutter-desktop: 64px;
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--container-gutter-tablet: 32px;
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--container-gutter-phone: 16px;
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/* ─── Brand-specific: tag tint scale (#Gap 6) ────────────────────
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* Print renderers double-paint alpha fills. kami pre-blends ink
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* blue over parchment as solid hex at 5 effective alphas. These
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* tokens are NOT part of the shared schema; they live here only
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* because kami's rendering target needs them. Other brands tint
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* with `color-mix(... transparent N%)` inline. */
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--tag-bg-faint: #eef2f7; /* ≈ ink at 0.08 */
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--tag-bg-soft: #e4ecf5; /* ≈ ink at 0.18 — DEFAULT tag */
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--tag-bg-base: #d6e1ee; /* ≈ ink at 0.30 */
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--tag-bg-strong: #d0dce9; /* ≈ ink at 0.22, denser */
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}
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/* ─── i18n font overrides (#Gap 7) ──────────────────────────────────
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* Switch the dominant font stack based on the artifact's lang.
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* Apply ONLY ONE of these blocks — the one matching <html lang="...">
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* — and keep --font-mono on the EN stack since code labels stay Latin
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* regardless of the document language.
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*
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* For multi-language artifacts (e.g. a deck with one Japanese chapter),
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* keep the dominant stack on :root and scope the override on a
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* wrapper element instead:
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*
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* section[lang="ja"] { --font-display: <JA stack>; ... }
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*
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* Do NOT chain all three font families inside a single font-family
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* declaration — that dilutes the visual character of every page.
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* ─────────────────────────────────────────────────────────────────── */
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:root[lang="zh-CN"],
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:root[lang="zh"] {
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--font-display:
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"TsangerJinKai02", "Source Han Serif SC", "Noto Serif CJK SC",
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"Songti SC", "STSong", Georgia, serif;
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--font-body:
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"TsangerJinKai02", "Source Han Serif SC", "Noto Serif CJK SC",
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"Songti SC", "STSong", Georgia, serif;
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}
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:root[lang="ja"] {
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--font-display:
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"YuMincho", "Yu Mincho", "Hiragino Mincho ProN",
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"Noto Serif CJK JP", "Source Han Serif JP",
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"TsangerJinKai02", Georgia, serif;
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--font-body:
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"YuMincho", "Yu Mincho", "Hiragino Mincho ProN",
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"Noto Serif CJK JP", "Source Han Serif JP",
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"TsangerJinKai02", Georgia, serif;
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/* JA needs the lighter olive override — YuMincho strokes are thinner
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* and the standard olive looks anemic against parchment. */
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--muted: #4d4c48;
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}
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