/* ─────────────────────────────────────────────────────────────────────────
 * design-systems/vercel/tokens.css
 *
 * Structured token bindings for "Vercel" — the engineering-as-design
 * thesis of frontend deployment: a near-white canvas, near-black text,
 * one saturated blue accent, and a shadow-as-border philosophy that
 * replaces the box-model edge with a layered box-shadow stack.
 *
 * This file pre-compiles the values described in `DESIGN.md` into the
 * shared schema. Agents generating an artifact for Vercel should paste
 * the `:root` block verbatim into the first `<style>` of the artifact,
 * then reference everything via `var(--*)`.
 *
 * Brand-specific schema decisions (each one bends a schema convention
 * to match Vercel's voice rather than the cross-brand default):
 *
 *   1. `--accent` is the Vercel/Console blue (#0070f3), not Vercel Black.
 *      Black is already `--fg`; the brand expresses primary CTAs by
 *      using `--fg` as the button background, not `--accent`. The
 *      `--accent` slot is reserved for the chromatic moments — links,
 *      focus rings, badge tints — exactly where Vercel's blue appears
 *      in product. Treating black as both `--fg` and `--accent` would
 *      collapse two distinct intents into one name and break the
 *      lint's "≤2 accent uses per screen" semantic.
 *
 *   2. `--fg` is `#171717` (Vercel Black), not `#000000`. The micro-
 *      warmth at the top of the gray ramp is part of the brand — pure
 *      black against pure white reads as harsh, and the rest of the
 *      neutral scale (gray-600 / 500 / 400 / 100 / 50) is calibrated
 *      against `#171717` not `#000000`. Bind the full four-level
 *      foreground ramp (#171717 → #4d4d4d → #666666 → #808080) so
 *      cross-brand components targeting `--fg-2` and `--meta` resolve
 *      to Vercel's actual gray-600 / gray-400 instead of collapsing.
 *
 *   3. `--border` is `rgba(0, 0, 0, 0.08)` — the literal Vercel
 *      shadow-as-border alpha, NOT a solid hex. DESIGN.md §1 names
 *      this single value as "the signature" that "replaces traditional
 *      borders throughout". Binding `--border` to the alpha lets
 *      `--elev-ring` (`0 0 0 1px var(--border)`) reproduce the Vercel
 *      hairline by default, and lets components reach the same value
 *      via `border: 1px solid var(--border)` when a real border is
 *      structurally necessary (e.g. image cards). `--border-soft`
 *      drops to `0.04` for inner-row separators that must not compete.
 *
 *   4. `--elev-raised` is the full multi-layer Vercel card stack
 *      (`0 0 0 1px rgba(0,0,0,0.08), 0 2px 2px rgba(0,0,0,0.04),
 *      0 8px 8px -8px rgba(0,0,0,0.04), 0 0 0 1px #fafafa`), not the
 *      schema's single soft blur. The inner `#fafafa` ring at the
 *      bottom of the stack is the "subtle inner glow" DESIGN.md §6
 *      calls out — without it, Vercel cards lose the built-not-
 *      floating quality. The fourth layer's `#fafafa` is the only
 *      raw hex inside the `:root` block, justified because the value
 *      is structural to the shadow layer, not a recolorable surface.
 *
 *   5. `--focus-ring` is a solid 2px ring at `var(--accent)`, not the
 *      schema's 3px alpha glow. Vercel's `--ds-focus-color` focus
 *      outline is `2px solid hsla(212, 100%, 48%, 1)` everywhere;
 *      reproducing it as a sharp 2px box-shadow keeps keyboard focus
 *      legible against the white canvas without the soft halo that
 *      would dilute the engineered feel.
 *
 *   6. The type scale tops out at 48px (`--text-4xl`), not 64px+.
 *      DESIGN.md §3 caps display at 48px Geist W600 with
 *      `letter-spacing: -2.4px` (which expresses as `-0.05em` in
 *      `--tracking-display`). Vercel reads HUGE because the tracking
 *      compresses, not because the px count climbs. `--leading-tight`
 *      drops to `1.1` to match — display lines run shorter than the
 *      schema default's 1.2.
 *
 *   7. Section rhythm is generous: `96px` desktop, `64px` tablet,
 *      `48px` phone (`--section-y-*`). DESIGN.md §5 describes the
 *      "gallery emptiness" of 80–120px+ vertical padding between
 *      sections — the whitespace is the design. Container caps at
 *      `1200px` (Vercel's documented max content width).
 *
 * Source contracts:
 *   - Standard token names: design-systems/_schema/tokens.schema.ts
 *   - A2 fallback parity:   design-systems/_schema/defaults.css
 *   - Lint enforcement:     apps/daemon/src/lint-artifact.ts
 *
 * Keep this file additive: never invent token names not also
 * documented in DESIGN.md or the schema. The Geist family does not
 * need a CDN reference here — the font stack lists OS fallbacks so
 * that artifacts render acceptably even when Geist is not loaded,
 * and any host that wants the real Geist face links it externally.
 * ─────────────────────────────────────────────────────────────────── */

:root {
  /* ─── Surface (3 levels — schema slot) ─────────────────────────────
   * Vercel's canvas is famously achromatic: pure white page, pure
   * white cards, no warm tier. `--surface-warm` aliases to surface
   * because the brand explicitly forbids background-color variation
   * between sections — depth comes from shadow layering, not from
   * tinting one surface warmer than another. (DESIGN.md §5: "White
   * sections alternate with white sections — there's no color
   * variation between sections.") */
  --bg: #ffffff;
  --surface: #ffffff;
  --surface-warm: var(--surface);     /* alias — Vercel has no warm tier */

  /* ─── Foreground ramp (4 levels) ──────────────────────────────────
   * Gray 900 → 600 → 500 → 400, the documented neutral scale from
   * DESIGN.md §2. `#171717` instead of `#000000` matters — the
   * yellow-undertone warmth is what keeps the page from reading as
   * harsh. `--fg-2` and `--meta` are independently bound (not aliased)
   * because Vercel genuinely uses four distinct text tiers: heading
   * black, body description gray, tertiary caption gray, and
   * placeholder/disabled gray. */
  --fg: #171717;                       /* Gray 900 — headings, primary text */
  --fg-2: #4d4d4d;                     /* Gray 600 — body description */
  --muted: #666666;                    /* Gray 500 — captions, tertiary text */
  --meta: #808080;                     /* Gray 400 — placeholder, disabled */

  /* ─── Border (2 levels) ──────────────────────────────────────────
   * Shadow-as-border is THE signature: `rgba(0, 0, 0, 0.08)` at 1px
   * spread replaces traditional borders throughout. Binding `--border`
   * to the alpha (not a solid hex) lets `--elev-ring` reproduce the
   * Vercel hairline by default, and lets `border: 1px solid var(--border)`
   * paint the same value when a real border is structurally required
   * (e.g. image-card top edge per DESIGN.md §4). `--border-soft`
   * drops to 0.04 alpha for inner row separators that should not
   * visually compete with the card edge. */
  --border: rgba(0, 0, 0, 0.08);       /* signature shadow-as-border alpha */
  --border-soft: rgba(0, 0, 0, 0.04);  /* inner row separator */

  /* ─── Accent ─────────────────────────────────────────────────────
   * The single chromatic move: Vercel/Console Blue. Used in links,
   * focus rings, pill-badge tints, and console syntax highlighting.
   * Hard cap of ≤2 visible uses per screen — DESIGN.md §7 forbids
   * decorative use ("Color is functional, never decorative — workflow
   * colors (Red/Pink/Blue) mark pipeline stages only").
   *
   * Primary CTAs in Vercel are BLACK, not blue. components.html
   * encodes that pattern via `background: var(--fg)` on the primary
   * button, so `--accent` stays reserved for the chromatic moments
   * where blue actually appears. */
  --accent: #0070f3;                   /* Vercel Blue / Console Blue */
  --accent-on: #ffffff;                /* white label on saturated blue */
  --accent-hover: color-mix(in oklab, var(--accent), black 8%);
  --accent-active: color-mix(in oklab, var(--accent), black 14%);

  /* ─── Semantic ───────────────────────────────────────────────────
   * Vercel's marketing surface rarely renders state. We inherit the
   * schema defaults (no warm-shift) because the brand has no defined
   * success/warn/danger palette of its own; the workflow accents
   * (Ship Red, Preview Pink, Develop Blue from DESIGN.md §2) are
   * pipeline labels, not status colors, and intentionally do NOT
   * bind here. */
  --success: #16a34a;
  --warn: #eab308;
  --danger: #dc2626;

  /* ─── Typography ─────────────────────────────────────────────────
   * Geist Sans is Vercel's open-source typeface — `--font-display`
   * and `--font-body` share the stack; size, weight, and tracking
   * carry hierarchy, not face. The Arial/system fallbacks come from
   * DESIGN.md §3 and ensure artifacts render legibly even when Geist
   * is not loaded. Geist Mono for code and technical labels
   * preserves the "developer console voice" that connects the
   * marketing site to the product. */
  --font-display: "Geist", "Geist Sans", -apple-system, "Segoe UI", Arial, sans-serif;
  --font-body: "Geist", "Geist Sans", -apple-system, "Segoe UI", Arial, sans-serif;
  --font-mono: "Geist Mono", ui-monospace, "SF Mono", "Roboto Mono", Menlo, Monaco, "Liberation Mono", "DejaVu Sans Mono", "Courier New", monospace;

  /* Type scale (px) — derived from DESIGN.md §3 hierarchy table.
   * The scale tops out at 48px (display hero); Vercel reads BIG
   * because of -0.05em compression on display, not because of a
   * larger px ceiling. */
  --text-xs: 12px;                     /* caption, metadata, tags */
  --text-sm: 14px;                     /* button, link, small UI */
  --text-base: 16px;                   /* body small, navigation */
  --text-lg: 20px;                     /* body large, introductions */
  --text-xl: 24px;                     /* card title */
  --text-2xl: 32px;                    /* sub-heading, large card */
  --text-3xl: 40px;                    /* section heading */
  --text-4xl: 48px;                    /* display hero */

  /* `--leading-tight` is 1.1 (DESIGN.md says 1.00–1.17 at display),
   * `--leading-body` is 1.5 (the documented 16px / 24px ratio).
   * `--tracking-display` is `-0.05em`, the em-relative form of
   * Vercel's `-2.4px at 48px` — letter-spacing in em scales
   * proportionally with size, matching DESIGN.md §3's principle
   * that "tracking scales with font size". */
  --leading-body: 1.5;
  --leading-tight: 1.1;
  --tracking-display: -0.05em;

  /* ─── Spacing ────────────────────────────────────────────────────
   * 4px-grid base scale. Vercel's documented spacing (DESIGN.md §5)
   * uses 1–6px sub-tier increments for micro-padding (button
   * `0px 6px`, etc.); those are inlined per-component because they
   * are too fine to belong in the shared schema. The 4/8/12/16/20/
   * 24/32/48 tier covers the structural rhythm. */
  --space-1: 4px;
  --space-2: 8px;
  --space-3: 12px;
  --space-4: 16px;
  --space-5: 20px;
  --space-6: 24px;
  --space-8: 32px;
  --space-12: 48px;

  /* Section rhythm — DESIGN.md §5: 80–120px+ vertical padding between
   * sections desktop, collapsing to 48px on mobile. We sit in the
   * middle at 96px desktop, drop to 64px on tablet (still generous),
   * and 48px on phone (the documented mobile floor). */
  --section-y-desktop: 96px;
  --section-y-tablet: 64px;
  --section-y-phone: 48px;

  /* ─── Radius ─────────────────────────────────────────────────────
   * DESIGN.md §5 radius scale: 2/4/6/8/12/64/100/9999. We bind the
   * four schema tiers to: 6 (button/input/functional), 8 (card),
   * 12 (image/featured card), 9999 (badge/pill). The 64px and
   * 100px "navigation pill" radii from DESIGN.md are component-
   * specific and not part of the shared schema. */
  --radius-sm: 6px;                    /* buttons, inputs, functional */
  --radius-md: 8px;                    /* cards, modals */
  --radius-lg: 12px;                   /* image cards, featured */
  --radius-pill: 9999px;               /* badges, status pills */

  /* ─── Elevation (3 levels) ───────────────────────────────────────
   * Vercel's depth system is shadow-LED, not blur-led. Three levels:
   *
   *   --elev-flat    no shadow (page background, text blocks)
   *   --elev-ring    the signature 1px shadow-as-border (most surfaces)
   *   --elev-raised  the multi-layer Vercel card stack (featured cards)
   *
   * `--elev-raised` is reproduced VERBATIM from DESIGN.md §6 Level 3,
   * including the inner `#fafafa` 1px ring that DESIGN.md calls out
   * as "the glow that makes the system work" — never drop the last
   * layer when overriding this token. The four layers compose:
   *   ring  (1px shadow-as-border, sits on top)
   *   close (2px 2px soft elevation, just below the surface)
   *   far   (8px blur -8px spread, ambient depth at distance)
   *   inner (1px #fafafa ring, the subtle highlight) */
  --elev-flat: none;
  --elev-ring: 0 0 0 1px var(--border);
  --elev-raised:
    0 0 0 1px rgba(0, 0, 0, 0.08),
    0 2px 2px rgba(0, 0, 0, 0.04),
    0 8px 8px -8px rgba(0, 0, 0, 0.04),
    0 0 0 1px #fafafa;

  /* ─── Focus ring ─────────────────────────────────────────────────
   * Vercel's `--ds-focus-color` is `hsla(212, 100%, 48%, 1)`; the
   * outline is `2px solid` on every interactive element. We
   * reproduce that as a sharp 2px box-shadow at `var(--accent)`,
   * NOT the schema's 3px alpha glow — Vercel's focus is engineered,
   * not atmospheric. */
  --focus-ring: 0 0 0 2px var(--accent);

  /* ─── Motion ─────────────────────────────────────────────────────
   * Two durations + one easing curve, per anti-ai-slop's "short,
   * purposeful transitions (150–250ms) with stable easing". Vercel
   * transitions are quick and unobtrusive — never a long-form
   * choreographed entrance. */
  --motion-fast: 150ms;
  --motion-base: 200ms;
  --ease-standard: cubic-bezier(0.2, 0, 0, 1);

  /* ─── Layout ─────────────────────────────────────────────────────
   * 1200px max content width per DESIGN.md §5. Gutters narrow on
   * mobile to preserve the line-length-as-craft feel — Vercel does
   * NOT edge-bleed body copy on phones, only screenshots. */
  --container-max: 1200px;
  --container-gutter-desktop: 24px;
  --container-gutter-tablet: 16px;
  --container-gutter-phone: 12px;
}