④段整套同步(六节 + P/S/F/J + 模板)+ open-design 移到技能根
一、④段整套同步(用户选候选 A)
- 新增 `references/stage-proto-doc/assets/产品文档模板.html`(16 KB/247 行,从备份拷、转 LF)。
- ④段 SKILL.md 换成备份 15:28 那版,并按模板口径改齐:
· 「产品文档框架」从「四块+一附录」改成**六节** —— 页面结构/功能清单/使用场景/操作流程/
跨页与界面状态/待确认与偏离;与模板同构,⛔ 不从空白页重写结构。
· 编号从 R/S/F 改成 **P 页面/S 场景/F 功能/J 二级功能**,各自唯一、按展示顺序通排。
· 保留旧版有价值的要求:每项功能补齐 做什么/入口在哪/输入边界/异常与恢复;重点功能三处标红;
横向流程图每步写清页面/功能/操作/完成判据。
· 完成标准「七节」→「六节」,自查清单同步换掉「需求」那批条目,补模板与配图两条。
· 路径 `designs/<项目>/` → `docs/pm/<项目>/ui/`(2 处)。
· 补回本机那条「每份产出文档开头都要有一张图」的引用(指向主 skill,段内不复述)。
- 主 skill 同步:四段结构表④行、④段沿革、画图小节(④段画页面结构图 + 用户路径)。
二、open-design 移到技能根(用户选候选 A)
- `git mv product-planning/references/stage-delivery/assets/open-design → open-design/`(4178 文件)。
- `.gitignore` 白名单加 `!/open-design/` —— 否则移出去就不再纳入版本控制。
- 引用改 11 处:路径形态 `assets/open-design/...` → `<技能根>/open-design/...`;
「随段携带的自带件」改称「同根技能」;「路径怎么找」那条改成自带件(段内相对路径)与
同根技能(`<技能根>/<技能名>/`)两类分开写。
- open-design 自己的 ATTRIBUTION.md 两处同步(它现在与 oil-ui-pro 同层)。
- 副作用(有益):命名闸门读数由 2063 降到 225 —— 此前它把 open-design 里 919 个第三方 md
当成规则一起扫了;现在只扫本包 23 个 md。已确认④段的 H1 与 4a/4b/4c 子步仍在检查范围内。
三、验收
- check_naming.py --ws E:/ProgramData/AIProject/contentm_agent = 通过 225 / 失败 0 / 提示 27。
- 活文件里 `assets/open-design` 残留 0;工作区 CRLF 文件 0。
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/* ─────────────────────────────────────────────────────────────────────────
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* design-systems/supabase/tokens.css
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*
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* Structured token bindings for "Supabase" — the open-source Firebase
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* alternative whose marketing surface reads like a dark-mode editor that
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* grew up: near-black canvas (#171717), Postgres-emerald (#3ecf8e) reserved
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* for the chromatic moments, Circular geometric sans for prose, Source
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* Code Pro uppercase for the developer-console voice, and depth carried
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* by a tight border hierarchy instead of drop shadows.
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*
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* Agents generating an artifact for Supabase should paste the `:root`
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* block verbatim into the first `<style>` of the artifact, then reference
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* everything via `var(--*)`.
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*
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* Brand-specific schema decisions (each bends a schema convention to
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* match Supabase's voice rather than the cross-brand default):
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*
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* 1. `--bg: #171717` and `--surface: #1c1c1c` instead of pure black.
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* DESIGN.md §1: "deep black backgrounds (`#0f0f0f`, `#171717`)" but
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* "never pure black". The #1c1c1c surface gives cards a faint
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* luminance step above the page without warm-shifting; Supabase
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* has no warm tier, so `--surface-warm` aliases `--surface` rather
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* than introducing a tint that doesn't exist in the brand.
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*
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* 2. Four-level foreground ramp — `#fafafa → #b4b4b4 → #898989 →
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* #4d4d4d` — bound to `--fg / --fg-2 / --muted / --meta`. DESIGN.md
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* §2 documents exactly these four text tiers (Off White / Light
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* Gray / Mid Gray / Dark Gray) and §9 calls them out as the
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* primary / secondary / muted / heavy-secondary ramp. Binding them
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* independently (no aliasing) lets the marketing surface render
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* genuine four-tier hierarchy — the dark canvas hides any two-tier
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* collapse, so the differentiation is real.
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*
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* 3. `--border: #2e2e2e` and `--border-soft: #242424` as solid hex,
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* not rgba. DESIGN.md §6 makes border-as-depth THE depth system
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* ("depth comes from borders, not shadows") and §9 names #242424
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* as the subtle tier and #2e2e2e as the standard tier. The hex
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* form (instead of rgba over the dark bg) is intentional: it
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* keeps the border's luminance constant regardless of what surface
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* it sits on, which is the brand's "edges define" promise.
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*
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* 4. `--accent: #3ecf8e` — Supabase brand green, the Postgres-emerald
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* identity marker. Used SPARINGLY (DESIGN.md §1: "always as a
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* signal of 'this is Supabase' rather than as a decorative
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* element"). `--accent-on` is `#0f0f0f` (near-black), not the
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* schema default of `#ffffff`, because emerald at this luminance
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* reads with dark text far better than white — the contrast ratio
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* against the bright green is what makes the brand button legible.
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* `--accent-hover` binds to `#00c573`, the documented "green link"
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* color (DESIGN.md §2 Brand) — Supabase ships TWO emerald values
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* with semantic distinction (brand vs. interactive) and the
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* hover state is exactly where the interactive variant belongs.
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*
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* 5. `--font-display` and `--font-body` share the Circular stack.
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* Hierarchy comes from size + weight (400 for prose, 500 for
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* interactive), never from a separate display face. DESIGN.md §3
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* Principles: "There is no bold (700) in the detected system —
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* hierarchy is created through size, not weight."
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* `--font-mono: "Source Code Pro"` for the developer-console
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* voice — the uppercase technical labels with 1.2px tracking that
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* DESIGN.md §3 calls "the developer-console marker that connects
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* the marketing site to the product".
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*
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* 6. `--text-4xl: 72px` with `--leading-tight: 1.00`. DESIGN.md §3
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* makes the 1.00 hero line-height "the defining typographic
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* gesture — text that feels like a terminal command: dense,
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* efficient, no wasted vertical space." Tracking stays at
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* `normal` (per DESIGN.md §3 hero row) — Supabase reads dense
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* from the leading collapse, not from negative letter-spacing
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* like Vercel's `-0.05em`.
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*
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* 7. Section rhythm is generous: 128px desktop, 80px tablet, 48px
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* phone. DESIGN.md §5 names 90–128px desktop spacing as
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* "dramatic, cinematic pacing — each section is its own scene in
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* the dark void". The top of that range (128px) matches the
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* brand's confidence; the 48px phone floor is the documented
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* mobile collapse.
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*
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* 8. Radius scale 6 / 8 / 16 / 9999. DESIGN.md §5: standard 6px
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* (ghost buttons, secondary), comfortable 8px (cards), large 16px
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* (feature cards), pill 9999px (primary CTAs and tab indicators).
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* DESIGN.md §7 forbids the 16px tier on buttons — "pills (9999px)
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* or standard (6px), nothing in between". Component CSS enforces
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* that policy at the component level.
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*
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* 9. `--elev-raised` uses the brand's "border + minimal shadow"
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* compromise: `0 0 0 1px var(--border), 0 4px 12px rgba(0, 0, 0,
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* 0.4)`. DESIGN.md §6 says Supabase "deliberately avoids shadows"
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* but uses `rgba(0, 0, 0, 0.1) 0px 4px 12px` for focus states —
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* we deepen that alpha for the raised tier so a card actually
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* separates from the dark canvas, while keeping the ring as the
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* primary depth signal.
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*
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* 10. `--focus-ring` is a 2px ring at `color-mix(var(--accent),
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* transparent 50%)` — the green-tinted halo that DESIGN.md §6
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* Level 3 names as the "brand-highlighted" elevation. On a near-
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* black canvas the schema's default (3px alpha glow over accent)
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* reads weak; 2px at 50% transparency lands at the documented
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* `rgba(62, 207, 142, 0.3)`-ish weight and stays unmistakably
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* Supabase.
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*
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* Source contracts:
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* - Standard token names: design-systems/_schema/tokens.schema.ts
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* - A2 fallback parity: design-systems/_schema/defaults.css
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* - Lint enforcement: apps/daemon/src/lint-artifact.ts
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*
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* Keep this file additive: never invent token names not also documented
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* in DESIGN.md or the schema. Circular and Source Code Pro do not need
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* a CDN reference here — the font stacks list Helvetica Neue / Menlo
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* fallbacks so artifacts render acceptably even when the brand faces
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* are not loaded, and any host that wants the real Circular face links
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* it externally.
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* ─────────────────────────────────────────────────────────────────── */
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:root {
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/* ─── Surface (3 levels — schema slot) ─────────────────────────────
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* #171717 is the documented page canvas (DESIGN.md §1 "Dark"). The
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* card surface bumps one luminance step to #1c1c1c so elevated
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* containers carry a faint lift without warm-shifting — Supabase
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* has no warm tier, so `--surface-warm` aliases `--surface` exactly
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* the way Vercel's achromatic canvas does. */
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--bg: #171717;
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--surface: #1c1c1c;
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--surface-warm: var(--surface); /* alias — Supabase has no warm tier */
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/* ─── Foreground ramp (4 levels) ──────────────────────────────────
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* Off White → Light Gray → Mid Gray → Dark Gray, the documented
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* four-tier text scale from DESIGN.md §2. Each tier is independently
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* bound (no aliasing) because Supabase genuinely uses four distinct
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* text registers: heading white, body silver, caption gray, and
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* tertiary metadata gray. The four-stop ramp is the typography
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* system; collapsing it to two tiers would flatten the marketing
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* surface's voice. */
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--fg: #fafafa; /* Off White — primary text, headings */
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--fg-2: #b4b4b4; /* Light Gray — secondary body, links */
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--muted: #898989; /* Mid Gray — captions, footer, muted */
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--meta: #4d4d4d; /* Dark Gray — tertiary metadata, disabled */
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/* ─── Border (2 levels) ──────────────────────────────────────────
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* Border-as-depth is THE depth system (DESIGN.md §6: "depth comes
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* from borders, not shadows"). #2e2e2e is the standard card edge,
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* #242424 the inner-row divider that "should not visually compete".
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* Solid hex (not rgba over bg) keeps luminance constant regardless
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* of what surface the border sits on. */
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--border: #2e2e2e; /* standard border — cards, tabs, dividers */
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--border-soft: #242424; /* subtle divider — inner row separators */
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/* ─── Accent ─────────────────────────────────────────────────────
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* Supabase brand emerald — the Postgres-green identity marker.
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* Hard cap of ≤2 visible uses per screen (lint enforced) because
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* DESIGN.md §7 forbids using green "to backgrounds or large
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* surfaces — it's for borders, links, and small accents".
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*
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* `--accent-on` is `#0f0f0f` (near-black), NOT the schema default
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* `#ffffff` — bright emerald reads with dark text far better than
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* white, and #0f0f0f is the documented "near-black" button surface
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* already in the brand's neutral scale.
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*
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* `--accent-hover` is `#00c573` — DESIGN.md §2 documents this as
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* the "green link" interactive variant of the brand color. Mapping
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* it to the hover state preserves the brand's distinction between
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* identity-green (#3ecf8e) and interactive-green (#00c573). */
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--accent: #3ecf8e; /* Supabase emerald — brand identity marker */
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--accent-on: #0f0f0f; /* near-black label on bright emerald */
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--accent-hover: #00c573; /* documented interactive green link variant */
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--accent-active: color-mix(in oklab, var(--accent), black 14%);
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/* ─── Semantic ───────────────────────────────────────────────────
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* Supabase's marketing surface rarely renders state. DESIGN.md §7
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* specifically forbids using the Radix warm tones (crimson, orange)
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* as primary design elements — they exist purely as semantic
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* tokens. We inherit the schema defaults rather than designing a
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* custom warm palette that doesn't appear in the brand voice. */
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--success: #16a34a;
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--warn: #eab308;
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--danger: #dc2626;
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/* ─── Typography ─────────────────────────────────────────────────
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* Circular is Supabase's signature face — a geometric sans-serif
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* with rounded terminals that softens the technical edge.
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* `--font-display` and `--font-body` share the stack; the Helvetica
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* Neue / Helvetica / Arial fallbacks come straight from DESIGN.md
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* §3 and ensure artifacts render legibly even when Circular is not
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* loaded. Source Code Pro is the developer-console voice — the
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* uppercase technical labels with 1.2px tracking that DESIGN.md §3
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* calls "the marker that connects the marketing site to the
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* product". Office Code Pro / Menlo fallbacks match DESIGN.md §3. */
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--font-display: "Circular", "custom-font", "Helvetica Neue", Helvetica, Arial, sans-serif;
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--font-body: "Circular", "custom-font", "Helvetica Neue", Helvetica, Arial, sans-serif;
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--font-mono: "Source Code Pro", "Office Code Pro", Menlo, Monaco, Consolas, monospace;
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/* Type scale (px) — derived from DESIGN.md §3 hierarchy table.
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* The scale tops out at 72px (display hero) and shoots straight up
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* from 36px (section heading) — the missing intermediate steps are
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* deliberate. Supabase reads BIG because the hero leading collapses
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* to 1.00, not because the px count climbs gradually. */
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--text-xs: 12px; /* small — fine print, code labels */
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--text-sm: 14px; /* button, nav link, caption */
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--text-base: 16px; /* body — standard reading */
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--text-lg: 18px; /* sub-heading — secondary headings */
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--text-xl: 24px; /* card title */
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--text-2xl: 32px; /* mid-large heading */
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--text-3xl: 36px; /* section heading */
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--text-4xl: 72px; /* display hero — terminal-density */
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/* `--leading-tight` is 1.00 — DESIGN.md §3 names this "the defining
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* typographic gesture" and forbids relaxing it ("Don't increase
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* hero line-height above 1.00 — the density is intentional").
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* `--tracking-display` is `normal` (DESIGN.md §3 hero row) —
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* Supabase reads dense from the leading collapse, not from negative
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* letter-spacing like Vercel's -0.05em. */
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--leading-body: 1.5;
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--leading-tight: 1.00;
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--tracking-display: normal;
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/* ─── Spacing ────────────────────────────────────────────────────
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* 4px-grid base scale. DESIGN.md §5 documents micro-stops (1px /
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* 4px / 6px) that are too fine to belong in the shared schema —
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* those are inlined per-component when needed. The 4/8/12/16/20/
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* 24/32/48 tier covers the structural rhythm of cards and stacks. */
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--space-1: 4px;
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--space-2: 8px;
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--space-3: 12px;
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--space-4: 16px;
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--space-5: 20px;
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--space-6: 24px;
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--space-8: 32px;
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--space-12: 48px;
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/* Section rhythm — DESIGN.md §5: "Dramatic section spacing 90–128px
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* creates a cinematic pacing — each section is its own scene in the
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* dark void". We sit at the top of that range (128px desktop) to
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* honor the brand confidence, drop to 80px on tablet, and 48px on
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* phone (the documented mobile floor). */
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--section-y-desktop: 128px;
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--section-y-tablet: 80px;
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--section-y-phone: 48px;
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/* ─── Radius ─────────────────────────────────────────────────────
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* DESIGN.md §5 radius scale: 6 / 8 / 11–12 / 16 / 9999. We bind
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* the four schema tiers to 6 (ghost / functional / secondary), 8
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* (cards / containers), 16 (feature cards / major containers),
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* 9999 (primary CTAs and pill tabs). The 11–12px mid-panel tier is
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* component-specific and not part of the shared schema. DESIGN.md
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* §7 forbids in-between radii on buttons — components MUST pick
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* pill or 6px, never 8/12/16. */
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--radius-sm: 6px; /* ghost buttons, secondary, functional */
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--radius-md: 8px; /* cards, containers */
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--radius-lg: 16px; /* feature cards, major containers */
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--radius-pill: 9999px; /* primary CTAs, tab indicators */
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/* ─── Elevation (3 levels) ───────────────────────────────────────
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* DESIGN.md §6: Supabase "deliberately avoids shadows" because they
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* read as invisible on a dark canvas; depth is the border hierarchy
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* (#242424 → #2e2e2e → #393939 → green-accent border). We map:
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*
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* --elev-flat no shadow (page background, text blocks)
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* --elev-ring 1px hairline ring at --border (the standard tier)
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* --elev-raised ring + minimal ambient shadow (the brand's
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* compromise: DESIGN.md's focus shadow alpha
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* deepened from 0.1 to 0.4 so a card actually
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* separates from the dark canvas at distance) */
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--elev-flat: none;
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--elev-ring: 0 0 0 1px var(--border);
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--elev-raised: 0 0 0 1px var(--border), 0 4px 12px rgba(0, 0, 0, 0.4);
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/* ─── Focus ring ─────────────────────────────────────────────────
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* 2px ring at `color-mix(var(--accent), transparent 50%)` — the
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* green-tinted halo that DESIGN.md §6 Level 3 names the "brand-
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* highlighted" elevation (`rgba(62, 207, 142, 0.3)`). On a near-
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* black canvas the schema's default 3px alpha glow reads weak;
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* 2px at 50% transparency lands at the documented weight and stays
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* unmistakably Supabase without dominating the surface. */
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--focus-ring: 0 0 0 2px color-mix(in oklab, var(--accent), transparent 50%);
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/* ─── Motion ─────────────────────────────────────────────────────
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* Two durations + one easing curve, per the anti-ai-slop "short,
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* purposeful transitions (150–250ms) with stable easing". Supabase
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* transitions are quick and unobtrusive — the brand reads as
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* engineered, never choreographed. */
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--motion-fast: 150ms;
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--motion-base: 200ms;
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--ease-standard: cubic-bezier(0.2, 0, 0, 1);
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/* ─── Layout ─────────────────────────────────────────────────────
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* 1200px max content width — typical for marketing surfaces.
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* Mobile gutter holds at 16px (instead of dropping to 12px) so
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* code blocks and badges retain padding context on small screens;
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* Supabase's developer-doc voice rarely edge-bleeds. */
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--container-max: 1200px;
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--container-gutter-desktop: 24px;
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--container-gutter-tablet: 16px;
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--container-gutter-phone: 16px;
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}
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